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| Source：Shanghai massage Time：3/29/2010 Click： | |||||||
| One of the reasons is that we, as a community of Asian Americans -- one is to break off the stereotype of what we have in the society. Because we, at Asian Improv aRts, both at San Francisco and in Chicago, have a distinct gallery of sound that is employed by all of our artists that are Asian hghuklgh Americans. Please contact us via telephone ONLY.We offer the Beijing massage and Shanghai massage! Some rooted music of our Asian heritage, or Asian American originality, is very different from other types of music. Many years ago, we decided to name this Asian American jazz. Of course, the frontier of this movement came from a lot of artists from the Bay Area: People like Jon Jang, Mark Izu, Miya Masaoka, Glenn Horiuchi, Anthony Brown and many others in the Bay Area. I had the opportunity to collaborate with the Bay Area artists in the early '90s, and I joined the organization Asian Improv aRts, and massage Beijing expanded that operation to the Midwest. In Chicago, we started the [Asian American Jazz] Festival 14 years ago. After this year's festival, we have the 15th year anniversary, which is in 2010. I think one of the reasons [is that] we all agree: In society -- not just in this musical community -- in many cases that Asian Americans are excluded, or maybe Asian American something is not really paid attention to much by the majority of society. So it's important to initiate this circle: To keep us going, and present art from our communities. If you look at the major, mainstream festivals, our question is: How often do you see one of us represented? So I think it's important to have this festival, so that we make sure that some of our people who are doing wonderful work are consistently presented within the community, as well as for people outside the community.
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